Odisha Famine
of 1866:
Na-anka
Durbhiksha
Why is Odisha poor?
As per NITI Ayog’s Multi-dimensional
Poverty Index (MPI) published in 2021, Odisha is no longer among the poorest
states of India *; yet many people ask: why is Odisha so poor?
Of several reasons, the most prominent are – the curse of
geography, and the exploitation of the peasantry. Odisha has suffered persistent
famines and floods, and the famines during the British rule have been the most
devastating owing to the flawed policy of the Empire and the utter callousness
of its key administrators. Usurious land revenue, particularly during the
Maratha and the British rule, sucked out the lifeblood, as it were, of the
peasantry.
Droughts continue to occur in years of failed, delayed, or erratic monsoon; but Amartya Sen argues that democracy has
been instrumental in eliminating major famines in India since independence.[i]
Desh Kaal Patra
Desh Kaal
Patra (1992) is the
title of a historical fiction in Odia by J.P. Das, and translated as A Time
Elsewhere by J. Nayak. The novel presents a panoramic view of Odisha’s (Desha)
momentous history in the latter half of the 19th century (Kaal)
and the role played by several political, historical, and literary stalwarts (Patra).
The book, available at Amazon.in, archive.org, and Google Books is a must-read
for readers interested in the history and culture of Odisha.
The heart-rending portrayal of the terrible 1866 famine of Odisha (aka Na-anka durbhiksha** since it occurred in the ninth regnal year of Gajapati Divyasinghadeva), is an eloquent indictment of the callousness and ineptitude of the British officials.
Cecil Beadon, Lieutenant Governor, Bengal Presidency had visited Puri and Cuttack during February 13-16, 1866 to address a Darbar at
Cuttack. By then, Collectors of Puri, Cuttack, and Balasore had already apprised
Commissioner, Cuttack about the acute rice shortage and starvation of the
masses. Yet, this is what Beadon said in his speech at the Darbar:
"Such
visitations of providence as these no government can do much either to prevent
or alleviate." Dismissing proposal for intervention of the government to regulate
the price of rice, he said, "If I were to attempt to do this, I should
consider myself no better than a dacoit or thief."
The Famine Commission appointed by the Government of India in December 1866
submitted its report on 6 April 1867. On 2nd August, Sir Stafford Henry
Northcote, Secretary of State for India, winding up a debate on the famine in
the House of Commons said:
"This
catastrophe must always remain a monument of our failure, a humiliation to the
people of this country, to the Government of this country and to those of our
Indian officials of whom we had perhaps been a little too proud. At the same
time, we must hope that we might derive from it lessons which might be of real
value to ourselves, and that out of this deplorable evil good of no
insignificant kind might ultimately arise."
The British House of Commons censured T.E. Ravenshaw, Commissioner, Cuttack; the Board of Revenue of Bengal; and Cecil Beadon, Lieutenant Governor for their failure to provide required relief to avert the calamity in which one million people- about one third of Orissa’s population- died of starvation.
The Indian Famine Code was drafted in 1880.
A Summary
A summary of
the book is given in the end notes.[ii]
What reminded me of the book?
A few years
ago, I had read the novel and learned much about the catastrophic Odisha famine
of 1866-67. What reminded me of the novel now?
A Hollywood rom-com
– Ticket to Paradise (2022), set in picturesque Bali, and with the still-adorable
Julia Roberts (56) and George Clooney (61) in the cast.
Plot: Lily,
a young American girl graduates from a Law college and is to join a top law
firm soon before which she takes a holiday in Bali where she falls in love with
Gede, a local seaweed farmer. Her distraught divorced parents bury the hatchet
and ‘lockstep’ to sabotage her imminent marriage. The engagement ceremony is
deferred since the ring is stolen by Julia Roberts using the ‘banana trick.’
That is when the prospective groom mentions ‘Desh Kaal Patra’ to invoke the Balinese custom of ‘right
place, right time, right persons.’
That is a
familiar saying in Odisha, but how did the script writers (Ol Parker &
Daniel Pipski) get it, I wondered? From their research about Balinese culture,
or overheard from an Odia? Were they aware of the best-selling fiction with
that title?
The
characters in the film mouth a few more words and phrases (Swasti Om, putri,
etc.) to unsuccessfully present a look and feel of Balinese custom and culture.
No wonder, the film has been panned by the critics and trashed by the audience
(Rotten Tomatoes: 56%). The only saving grace of the film is the talented veteran
duo whose on-screen chemistry sparkles and entertains.
Ecclesiastes: Right Time for Everything
This book of
The Bible has that famous passage: There is a Right Time for Everything.[iii]
That is Kaal!
Balinese Hinduism
My
hypothesis that Balinese Hindus are of Odisha origin is based not upon
historical research but on amateur archaeology, and semantics. During
my trips to Bali, I had visited a few functional Hindu temples whose medieval architecture,
especially the gargoyles at the simhadwara, was like that of Odisha temples.
Further, Bali Dvipa was possibly so named by the Odia traders of ancient times upon
sighting the sprawling, spectacular beaches there. In Odia (also in Bengali), bali
means sand. Other sea-faring traders of India’s east coast - Telugu, Tamil, and
Malayalam - have other words for sand.
In ancient
India, the Bay of Bengal was known as Kalinga Sagara, indicating the importance
of Kalinga in the maritime trade, and the east coast was dotted with several
ports - Tamralipta (now in Bengal), Katikardama (Cuttack), Kalingapatnam and Masulipatnam
(AP), Calicut (Kerala), and others.
Commencing
their journey when the sea became calmer after the monsoon and favourable winds
blew, Utkala-Kalinga’s sea-faring traders travelled on sturdy Boitas as
far as Java, Sumatra, Borneo, and Bali. This maritime tradition is still
celebrated every year as Bali Jatra and Boita Bandana festival on the banks of river
Mahanadi on Kartika Purnima at Cuttack and other places in Odisha.[iv]
Notes
* For an excellent summary of the current state of Odisha's economy and prognosis for future growth, read 'Keep the Juggernaut Rolling' by Poonam Gupta, Director General, NCAER in Economic Times of 11 Apr, 2024.
** Durbhiksha (Sanskrit & Odia) literally means the non-availability of alms or charity. In normal times, if someone hungry and poor is at the door, he or she is never returned empty-handed and is given food or alms. During a famine, most households are too impoverished to offer charity.
[i] ‘Though Indian democracy has many imperfections, nevertheless the political incentives generated by it have been adequate to eliminate major famines right from the time of independence. The last substantial famine in India — the Bengal famine — occurred only four years before the Empire ended. The prevalence of famines, which had been a persistent feature of the long history of the British Indian Empire, ended abruptly with the establishment of a democracy after independence.’ (Amartya Sen, The Idea of Justice)
‘No famine
has ever taken place in the history of the world in a functioning democracy.’
Amartya Sen (2011). “The Idea of Justice”, p.343, Harvard University Press
[ii] A Time Elsewhere, written by J. P. Das and translated
by J. Nayak, is a captivating novel that seamlessly blends fiction and history.
Set in nineteenth-century Orissa, the narrative spans fifty years and
intricately portrays the fortunes of the ruling family of Puri.
The central character,
Divyasingh Dev, inherits the throne but descends into debauchery and eventually
commits murder. As a consequence, he is banished to the Andaman Islands for
life. Amidst this turmoil, Divyasingh's mother, Suryamani, the Rani of Puri,
emerges as the true ruler. She skilfully navigates the pressures imposed by the
Empire, revealing her shrewdness and grace.
A Time Elsewhere also
delves into the intellectual and cultural ferment of the era, where figures
from Oriya history play pivotal roles. Notable personalities include:
1. Fakir Mohan Senapati
and Radhanath Ray, who challenge the dominance of English and Bengali
languages.
2. Gourishankar Ray,
instrumental in establishing the first Oriya printing press, publishes the
Utkal Dipika, a periodical that becomes Orissa's conscience keeper.
3. Pyari Mohan Acharya,
expelled from school for defying British authorities, pens Orissa Itihas, a
historical account of the region.
Lucidly translated from
the original Oriya best-seller ‘Desh Kaal Patra,’ ‘A Time Elsewhere’ offers a
riveting glimpse into the lives of a people during this transformative
half-century.
(Source: Bing)
[iii] ECCLESIASTES 3
There’s a Right Time for
Everything
1: There’s an opportune
time to do things, a right time for everything on the earth:
2-8: A right time for
birth and another for death,
A right time to plant
and another to reap,
A right time to kill and
another to heal,
A right time to destroy
and another to construct,
A right time to cry and
another to laugh,
A right time to lament
and another to cheer,
A right time to make
love and another to abstain,
A right time to embrace
and another to part,
A right time to search
and another to count your losses,
A right time to hold on
and another to let go,
A right time to rip out
and another to mend,
A right time to shut up
and another to speak up,
A right time to love and
another to hate,
A right time to wage war and another to make peace.
[iv] I have published a blog previously on Bali Jatra for
which the link is: https://pkdash-author.blogspot.com/2023/11/bali-yatra.html
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